Writers write what they know, and so as
a result, you can find a lot of fiction narrated by a lot of vaguely
fictional writers. And, almost invariably, you'll get at least a
reference to the fact that the vaguely whitewashed author surrogate
in question liked to tell stories as a child. Almost inevitably,
someone in the story will notice, too, and suggest that bright-eyed
little Johnny SwearImadehimup ought to be a writer.
I was never like that, and nothing like
that ever happened to me. It's not that I didn't have stories. I
had plenty of stories. I had a whole roster of action heroes and a
whole roster of sports heroes all made up in my head. Even my lego
men had two decades of backstory minimum, and a wizard was an excuse
to invent four hundred years' worth. I just never told my stories.
The first time that I got any inkling
that I had an unusual affinity for story was in fifth grade, when we
were assigned to write a one-page short story. Almost everyone in my
class complained about this onerous task. I didn't object, but you
have to understand, it wasn't because I was a writer. It was because
my best friend in class was the smartest, and he didn't complain. I
was second-smartest, and felt I should hold up my end by not
complaining, either.
It's also worth noting that everybody
else brought in a story that was just under one page, except my
friend and I. His was just over two pages. Mine was pushing ten, a
fact that could not possibly have gone unnoticed. Even then, though,
nobody commented positively on the story. They just wondered why I
bothered to write so much. I'm not sure what I answered, but I know
that it was because the story wasn't over yet.
There was a time when I wrote because
my parents wanted me to practice typing. What they really wanted was
for me to complete one of these computer programs that teaches you
typing lessons, but I don't think anything in the world could be more
boring than that. If it came down to a choice between trying to
write an adolescent, escapist, poorly-plotted, action-heavy science
fiction trilogy and taking lessons from a machine reading a $5 CD,
well, I was an adolescent. What choice did you think I was going to
make?
I picked up that trilogy again in high
school when my English teacher told me I'd be in for massive amounts
of extra credit if I managed to write a novel, no matter how bad it
was. Over the years, I wrote a lot of things for school credit, and
some of them I put time and effort into and really enjoyed, but I
still only saw myself as a student and not a writer. I was a student
who enjoyed his assignments more than it was politic to let on, sure,
but still just a student.
In college, being a student meant
acting like a writer, or at least drinking like one. I read the
classics with a glass of wine, the modernists with a bottle of
whiskey, and the postmodernists with six-packs of awful,
mass-produced beer. Just to put my own personal touch on it, I would
read pulp when I had the runs. Stopping to go to the bathroom every
ten minutes heightened the suspense. As a matter of course, I wrote
poetry and then read it at open mics. I didn't like that even when I
was into it. It was just the thing to do.
Before I was willing to admit there was
no money in it, and before my wife was pregnant enough for the appeal
of steady employment to sink in, I wrote fiction. It wasn't good
fiction, and as I mention, it wasn't lucrative. I wrote it under a
pseudonym, so hardly anybody I know is aware of it. Occasionally,
I'll slip some mention of my old work into conversation, just to see
what people think of it. So I've noticed, over the years, that
there's one thing about my fiction that people invariably hate. They
picked up on a pattern in my writing, and I picked up on a pattern in
their taste.
I had a very transparent habit of
killing off a certain character type. Any time one character was
noticeably kind, innocent and likeable, it was a sure bet that they
would get killed off. If you were the clearly and by far the best
(invented) human being in any of my novels, short stories, even long
poetry, you were totally fucked. Looking back now, I know that it's
because one of the three best people I ever knew died young when I
was seventeen. It didn't happen right in front of me, but I was too
close to it not to be affected, and it came out in my writing. So I
guess, for a while, I wrote to deal with that.
The other two in my top three are alive
and well–thirty years older than me and likely to outlive me
anyway–so I suppose that's one author's lousy fiction you won't
have to wade through at the bookstore ever again.
Ever since Edwin was born, it has
become an undeniable fact that I've gotten in the habit of writing
because (and only if) there's a paycheck in it. This has become
increasingly the case. At first, I was conspicuously aware of
journalism as a new challenge and as something new to learn.
Eventually, though, it just became what I do. It has reached the
point now that if they had stopped paying me for it last week, I
probably would have stopped writing six days ago, never to start
again.
I guess what I'm trying to get across
is that unlike so many other writers, I can't point at one moment
that truly set me on the path to being a writer. I can, however,
point to the moment that pointed me away.
Working for the newspaper, I've written
about a lot of things. I wrote a series of articles when a
trigger-happy bank robber was still at large and committing a series
of robberies. I covered the shooting that happened at our high
school a couple of years ago. There was even the time that my
next-door neighbor thought he killed a man in the next neighborhood
over and then came home to find the man slumped dead over his kitchen
table. It sounds like another one of my half-baked short-stories,
but I promise I'm not making it up. It actually happened, and I was
more pleased than I care to think on to have gotten that scoop hours
ahead of any of the TV stations. Suffice it to say that I have been
turning police reports into front page articles for more than a
decade now.
It was that reputation that led the
managing editor to send me out to the Crawford murder. Technically,
it was Callahan's turn, but I was the one who went.
When I got to the Crawford house, it
was all roped off with that yellow tape, which I expected. Standard
crime scene stuff. You couldn't really tell what was going on inside
the house, although I did overhear the a uniformed officer use the
words “dismemberment” and “all over the living room.” Over
the years, I have become something of an expert in the field of
overhearing uniformed officers. Drew Crawford, who was a couple
grades ahead of my Stephen in school, was sitting on the front stoop
in handcuffs.
If the detective in charge of the scene
was inside the house, I was just going to have to wait until he came
out. The garage door was open, though, and there was already
something of a commotion around it. A line of police officers had
formed to keep the neighbors and various passersby from crowding
around and seeing inside, but standing back from the commotion, I
could catch glimpses of what was going on inside. It looked like the
entire interior had been painted a very dark shade of red. Someone
from the crime scene unit even game out with a paintbrush and a
bucket sealed in separate evidence bags.
That was not nearly as disturbing as
what happened next. The Crawford kid had been watching the police
intently when I got there, but as I was walking up onto the driveway
to talk to one of the officers, I guess I caught his eye and he
recognized me. He rushed up to the yellow tape, although he didn't
make any effort to break through it. He just stood there for a
second, staring at me and grinning. Then he began half-singing, half
shouting at me.
“Half for work, and half for play,
then sleep like a baby to wrap up the day!”
As the officers were grabbing him and
pulling him back, he made no move to resist. He just grinned at me
again. And then he winked.
I couldn't write about that with the
detached, journalistic pen of a newsman. I couldn't write about it
in a way that only seemed to matter. It couldn't be just a job, just
the paycheck, just another day. It had to be anything but. Instead,
went down to the bar and spent most of the night drinking, and after
the bartender kicked me out to close up, I spent the rest of it
writing this.
I really, sincerely hope it is the last
thing I ever write.